Showing posts with label doing the impossible. Show all posts
Showing posts with label doing the impossible. Show all posts

Tuesday, August 21, 2012

How to Accomplish an Impossible Project




In my upcoming book Project: Impossible, part of Multi-Media's Lessons from History series, I lay out a methodology for dealing with a project that appears to be operationally impossible (that is, it can’t be accomplished within the initial boundaries of time, cost, and performance).




Other questions matter, too:


  1. What are the consequences of failure to meet the original requirements?
  2. Are there unacceptable negative consequences if we succeed?
  3. Could trying make things worse?
  4. How much risk should we be willing to take in achieving our goals?
  5. What are all the things that have to happen to allow us to call it success?
  6. How can we prepare our organization or team to be ready when the impossible project appears?


Except for number 6, the other questions can’t effectively be asked until you have the project (or hot potato as the case may be). And as we’ve seen time and time again on our historical journey, it’s what you do beforehand that often spells the difference between success and failure.

To do the impossible, it helps to be prepared. Preparation starts long before the impossible project swims into your field of view. Whether you and your organization will be able to rise to the challenge often depends on the strength and quality of your preparation.

In the television (and movie) series Mission: Impossible, the Impossible Missions Force (IMF, not to be confused with the International Monetary Fund) takes on challenges far beyond the capability of lesser organizations. How does it do that? First, it selects highly skilled people and provides training in the specifics of espionage. Second, it promotes a high degree of morale and esprit de corps. Members of the IMF see themselves as the best of the best.

Third, and possibly most important, the IMF enjoys a high degree of political support and cover for its operations — at least in the television series. In the case of the movies, it’s more often the case that the problem lies in their own management, and as a result, the movie plots normally involve the IMF team acting without the support of its covering organization. This makes the situation far more perilous, and if it weren’t for the magic of the motion picture experience, those projects more likely would turn out to be actually impossible.

Sometimes a project is impossible for a good reason. In other cases, the project isn’t what it seems. Practice looking at the situation through someone else’s eyes. Play the “what if” game. Look around you. Question the constraints.

And always accept that you don’t know everything.

Tuesday, March 6, 2012

Project: Impossible — The Savior of Mothers


Dr. Ignaz Semmelweis

My 26th book will be Project: Impossible, an exploration of how people achieved goals any reasonable person would have thought impossible. This week, the story of the Doctor's Plague.

Childbed Fever

The advent of hospitals and the establishment of obstetrics as a medical discipline had an unanticipated side effect: a dramatic increase in cases of puerperal fever, commonly known as childbed fever.

It was a horrific disease. Death rates for all women giving birth in hospitals ranged from 20-25%. From time to time, there were epidemics of the disease, with death rates approaching 100%. Famous victims included the mother and two wives of Henry VIII and famous feminist and mother of the author of Frankenstein, Mary Wollstonecraft. (Today, puerperal fever is known to be a collection of several different diseases, including endometriosis, routinely treated with antibiotics, though it still occasionally results in death.)

The advent of pathological anatomy as a medical practice correlated strongly with the increase in cases of puerperal fever, though this link did not become clear until much later.

Childbed fever deaths spiked at the Vienna hospital, where pathological anatomy was performed, but not at the Dublin hospital, which did not practice it.


Paging Dr. Semmelweis

As the 19th century opened, the crown jewel, the largest hospital in the world, the center of medical practice in 18th Century Europe was the Allgemeines Krankenhaus der Stadt Wien, the Vienna General Hospital. Ignaz Semmelweis, newly admitted to the practice of obstetrics, spurred by the recent death of his mother, became obsessed with childbed fever.

The obstetrics department had two clinics: the First Clinic, staffed by doctors, and the Second Clinic, staffed by midwives.  Women often pleaded to be admitted to the Second Clinic rather than submit themselves to the care of doctors. Their fear was well founded, as there was a dramatic difference in mortality rates between the two clinics.

The First Clinic, staffed by doctors, had a death rate from childbed fever as high as 16%, but the Second Clinic, staffed by midwives, had a corresponding rate as low as 2%.


The most common theory was that the disease was simply a general miasma, just one of those things. It was nobody’s fault. Especially not the doctors.

An unhappy accident pointed Semmelweis to the answer, when his friend and mentor Professor Jakob Kolletschka died suddenly. The symptoms and progress of his disease were identical to childbed fever. It turned out that Kolletschka’s finger had been nicked by a student with the same knife that was being used in the autopsy. Somehow, contact with the corpse during the autopsy had led to the disease.

And it was in the performance of autopsies that the doctors of the First Clinic differed from the midwives of the Second Clinic.

Cadaver Particles

Ignorant of microscopes, microbes, and the germ theory of disease, Semmelweis could only observe one fact: that there was a connection of some sort between the cadaver and the death of Kolletschka, and by extension, between the cadavers used in pathology to the deaths of the childbed fever victims. What the agency of infection was, Semmelweis did not know and had at the time no way of finding out. He referred to them as “cadaver particles,” although he could not see them, measure them, or learn much about them directly.

But that didn’t mean he couldn’t come up with a treatment. What distinguished cadavers was the putrid smell, and what got rid of the putrid smell was a solution of chloride. In May 1847, Semmelweis embarked on a clinical experiment by placing a dilute concentration of chlorine at the entrance to the obstetrics ward and insisting that everyone who would touch a patient washed in it.

Today, of course, cleanliness for physicians is a matter of routine, but at the time, this was a radical break with traditional practice. Most Europeans at the time felt that a few baths a year were sufficient, and doctors were no exception. In fact, the blood-stained frock was a sign that a physician was hard working and professional. If doctors scrubbed themselves, who would know how hard they worked?

Against the criticism, however, the statistics spoke loudly and clearly. Semmelweis began his handwashing process in May, and by June the drop in puerperal fever was dramatic. First Clinic death rates fell to Second Clinic levels.

Change in death rates from childbed fever following the introduction of handwashing.


You’d expect that to be conclusive, but that turned out not to be the case.

The Semmelweis Reflex

Elsewhere in this blog, I’ve written about the Semmelweis Reflex, originally defined as “the automatic rejection of the obvious, without thought, inspection, or experiment.” As I've argued, what triggers the Semmelweis Reflex, however, isn't new knowledge per se,  but the implied criticism of previous behavior that results.

To accept the Semmelweis approach, doctors had to also accept the idea that they themselves had been responsible for the deaths of thousands of women. Who wants to think of himself or herself as a killer, however inadvertent? It’s not surprising that there is a human tendency to reject or challenge scientific or other factual information that portrays us in a negative light.

You don’t have to look far to find contemporary illustrations, from tobacco executives aghast someone dared accuse them of making a deadly product to the notorious Ford Motor Company indifference to safety in designing the Ford Pinto. The people involved weren’t trying to be unethical or immoral; they were in the grips of denial triggered by the Semmelweis Reflex. This denial was strong enough to make them ignore or trivialize evidence that in retrospect appears conclusive.

There was a dramatic reaction against Semmelweis and his theory by the medical establishment, both in Vienna and elsewhere. Puerperal fever is now known as the “Doctor’s Plague,” because it was a case in which medical treatment made things worse — a lot worse. Semmelweis himself was terribly shocked and depressed to realize that it was his own actions that had resulted in the deaths of many women. And if Semmelweis was shocked, one can only imagine the reaction of other healers to being told that they were in practice, if not in intent, killers.

 Semmelweis continued to make things worse by attacking those who criticized his work. He accused his fellow physicians of murder and worse, and his own behavior became increasingly erratic. Showing increasing signs of mental illness and breakdown, his wife committed him to an asylum in 1857, where he died under mysterious circumstances.

Rembrandt, The Anatomy Lesson


Managing the Impossible Project: Inertia and Friction

Semmelweis succeeded in his “impossible project” to determine the basic cause and treatment of childbed fever, but failed to win widespread support for his ideas at the time. It would not be until the latter part of the 19th Century that the germ theory of disease became widely accepted.

If we consider Semmelweis’s project to be identifying the cause and treatment of childbed fever, he was a remarkable success. As noted, he was much less effective in gaining widespread acceptance for his ideas.

The natural human resistance to new ideas and the role of persuasion and influence management in achieving change are a constant source of frustration — and sometimes despair — for leaders of all stripes. It may help to extend our scientific metaphor and describe the obstacles in light of physics: people and organization, no less than other objects in the real world, are subject to inertia and friction.

Whatever the etiology of the Semmelweis Reflex, the idea of resistance to change is well established in management literature, and it’s just inertia under another name. A body at rest tends to stay at rest until acted upon by an outside force. The good news is that if you can just get the motion started, inertia changes from your enemy to your friend and helps sustain the motion.

Friction, of course, is one of those “outside forces” that hamper inertia. Moving parts have friction, and friction results in the degradation of useful energy. In the human sphere, we’ve all witnessed the results of friction in every human encounter. In mechanics, one way to lessen the effects of friction is through lubrication. The discipline of emotional intelligence, good manners, politeness, and office politics all work to lessen the friction in organizational interaction. It’s just as much a part of the job as the technical work, and leaders ignore it at their peril.

Tuesday, February 28, 2012

Project: Impossible — Lindbergh Wins the Orteig Prize


My 26th book will be Project: Impossible, an exploration of how people achieved goals any reasonable person would have thought impossible. Here’s a summary of some of the cases covered in the book.

Charles Lindbergh's Flight

What’s impossible about Lindbergh’s famous flight is not that he made it from New York to Paris. That was going to happen within a few weeks anyway. No, what’s impossible is that the underfunded and unknown Lindbergh jumped ahead of highly qualified and lavishly funded competitors.

The Orteig Prize

Crossing the Atlantic by air wasn’t new. The Curtiss NC-4 flying boat did it in 19 days back in 1919, hopping in 50-mile jumps between pre-positioned ships. The following month, British aviators Alcock and Brown flew nonstop from Newfoundland to Ireland. A month after that, the British airship R-34, carrying a crew of 31, made the first lighter-than-air round-trip crossing.

In 1919, French-born New York hotelier Raymond Orteig decided to offer a $25,000 prize the first aviators to fly non-stop from New York to Paris, in either direction.

The first serious attempt at the prize came in 1926, when Frenchman René Fonck crashed on takeoff, killing two. Admiral Richard E. Byrd, famous polar explorer, announced his entry in late 1926. Clarence Chamberlin, practicing for the attempt, set a world endurance record by circling New York City for over 50 hours. From the other side of the Atlantic, Nungesser and Coli readied their Levasseur biplane L'Oiseau Blanc (The White Bird).

By early May 1927, the Chamberlain and Byrd groups were ensconced at adjoining airfields on Long Island, and Nungesser and Coli were getting ready in Paris.

Anyone who thought they’d come in and beat that field was surely a fool.



The Flying Fool

Charles Lindbergh had many nicknames, but the one he despised was given him by the New York Sun: “The Flying Fool.”

He responded, “I take no foolish risks and study out everything I do in the air. I don’t think I am a flying fool.” It is, however, not difficult to understand how the Sun — and others — could have reached that conclusion. Most entries were multi-engine aircraft; Lindbergh flew a single-engine. All the other entrants planned for a crew of at least two to handle the 30+ hour flight. Lindbergh was the only solo entry. Finally, all the other entrants did extensive test flying. Total test flying time for the Spirit of St. Louis amounted to a paltry five and a half hours!

Then there was his safety record. He had only been a pilot for four years, and was famous for only one thing — the most emergency parachute bailouts. In 1924, he collided in mid-air with another Army flying cadet. In his first job post-graduation, he bailed out a second time while serving as test pilot. As an airmail pilot on the St. Louis-Chicago route in 1926, Lindbergh bailed out of not one but two DH-4s when he became lost in storms and ran out of fuel.



The Spirit of Charles Lindbergh

It took ego to enter the race. “Why shouldn’t I fly from New York to Paris?” he wrote in his autobiography. He raised funds from the St. Louis Chamber of Commerce, but had trouble finding a plane. Finally, a small San Diego company, Ryan, offered to build one for him. The Ryan NYP (New York to Paris) had no radio, no parachute, no gas gauges, and no navigation lights. Lindbergh even replaced the leather pilot’s seat with a wicker chair. It was built in record time, only two months.

Two days before Lindbergh was scheduled to leave San Diego for New York, Nungesser and Coli took off from Paris. All the other competitors stopped and waited to see if the Frenchmen would succeed — except for Lindbergh, who set off immediately for New York, setting a speed record en route.

When he reached New York, he learned for the first time that L'Oiseau Blanc had vanished. Charles Lindbergh was back in the race.



The Spirit of Long Island

A lawsuit delayed the Chamberlin group, and Byrd’s America crashed during a practice flight. All the teams were hampered by bad weather, which began to clear on May 19, a few days after Lindbergh finally arrived in New York. Unfortunately, paved runways weren’t yet common in aviation. The field was muddy — too muddy to allow a heavily-laden plane to take off.

But on the morning of May 20, 1927, at 7:52 AM, Charles Lindbergh loaded his plane with four sandwiches, two canteens of water, and 451 gallons of gasoline, and took off. The Spirit of St. Louis barely managed to clear the telephone wires at the end of the runway.

Thirty-three and a half hours later, Charles Lindbergh and the Spirit of St. Louis landed safely in Paris.



Managing the Impossible Project: The Role of Risk

The difference between a possible project and an impossible project is the constraints, the factors that restrict the options available to the leader and team. If the constraints are different, the options are different.

All the teams competing for the Orteig Prize consisted of talented, experienced aviators, engineers, and designers. What distinguishes Lindbergh is the nature and level of risk he was willing to assume.

The technical equation for risk is R = P x I; that is, the price of a risk is the probability of it happening times the impact if it does happen. If there’s a ten percent chance of a $1,000 negative event, the value of the risk is $100, meaning that if you can get rid of the risk for less than $100, it’s a good investment.

What if it costs more than $100 to get rid of the risk? Well, it may still be a good investment depending on other factors. What’s the value of getting into the history books? What’s the value of being acclaimed the world’s best pilot? The price of a risk and the value of a risk aren't necessarily the same thing.

Accepting an elevated level of risk doesn’t automatically make you a “flying fool.” Sometimes it’s exactly what allows you and your team to achieve the impossible.

Tuesday, February 21, 2012

Project: Impossible — Easter Island

Moai

 My 26th book will be Project: Impossible, an exploration of how people achieved goals any reasonable person would have thought impossible. This week, the strange statues of Easter Island.

The European Discovery

On Easter Sunday 1722, a Dutch West India Company commanded by Jacob Roggeveen, seventeen days out of Chile, sighted a low, flat island, which he named after the day of his discovery: Easter Island.

Easter Island a windy place, flat and treeless. At the time of Roggeveen’s visit, he judged the population to be between 2,000 and 3,000 people. The poverty and barrenness of the island stood in remarkable contrast to what makes Easter Island famous: the monolithic rock carvings known as moai, the giant head-statues that dominate the landscape. The tallest of the moai towers a remarkable 33 feet in height; the heaviest weighs 86 tons.

About half the statues that have been discovered are still in the main quarry where they were all created. Many are only partially completed, as if the workers suddenly left their jobs, never to return. One thing, however, was abundantly clear: the sculpting, transporting, and installing of these statues was a remarkable feat — and clearly, one utterly beyond the capabilities and resources of the poor islanders.

Theories

Of the various theories on the creation, transportation, and erection of the moai of Easter Island, the most fanciful was advanced by Erich von Däniken, that they were designed and built by extraterrestrial visitors. Von Däniken was not alone in marveling about the Easter Island statues. Tribal folklore on Easter Island itself claimed that mana, or divine power, allowed the moai to walk from the quarry to their assigned locations.

A more serious theory was advanced by explorer Thor Heyerdahl, who actually moved a 10-ton moai using a sledge drawn by 180 islanders. Scaling up, it would have required approximately 1,500 people to move the largest moai. Anthropologist William Mulloy developed a complex engineering technique using huge trees for support, but later studies suggested that the necks of the moai couldn’t absorb the excessive stress the method would create.  Czechoslovakian scholar Pavel Pavel and Wyoming archeologist Charles Love attempted to move moai in a semi-upright position, but caused noticeable damage.

Moving the moai was difficult enough, but then came the problem of setting them upright on their ahu platforms. In 1994, archeologist Claudio Cristino could barely re-erect an 88-ton moai using a modern crane!

Of course, ancient civilizations (most famously the Egyptians) moved massive stones — all you need is lots of thick long ropes (traditionally made from tree bark in Polynesia) and lots of large trees. You also need a large labor force, and that also requires a generous amount of surplus food.

But on Easter Island, there are hardly any trees worthy of the name. Worse, the island is unable to support a large population.

Well, today, in any event.

A display of Easter Island moai atop an ahu platform. The ahu are an engineering feat in themselves.




How It Was Done (and Why It Shouldn't Have Been)

Although today Easter Island is relatively barren, botanical surveys have revealed that at the time of human settlement the island was heavily forested, with the dominant tree similar to the Chilean wine palm.
Chilean wine palms are prized for their nuts, for a sweet sap that can be fermented into wine or turned into honey, for fronds capable of being turned into a variety of useful products, and, of course, for the wood of their immense trunks. The trees were extremely important to human civilization on the island — and, of course, they were essential to the transport of the moai.

The imposing and majestic moai were built at the unwitting cost of the civilization that created them, triggering an ecological disaster. By the arrival of famous British explorer Captain James Cook in 1774, the islanders were, in his words, “small, lean, timid, and miserable.” The destruction was so complete that in the end, the people of Easter Island turned to the largest remaining source of protein — each other.

Map of Easter Island Showing Location of Moai




Managing the Impossible Project: The Consequences of Success

Every leader has to face the consequences of potential failure, but it’s important not to overlook the consequences of success as well. Too much focus on getting today’s job done can compromise — sometimes fatally — your future capabilities as well.

Even if you can do the impossible, it’s not necessarily always a good idea.

Tuesday, February 14, 2012

Project: Impossible — Julius Caesar at the Siege of Alesia, 52 BCE

Gaius Julius Caesar

My 26th book will be Project: Impossible, an exploration of how people achieved goals any reasonable person would have thought impossible. Here’s a summary of some of the cases covered in the book.

The Rise of Vercengetorix

Until the rise of Vercengetorix, Gaius Julius Caesar had been able to fight the tribes of Gaul one at a time. But in 52 BCE, they united under a single leader: Vercingetorix, chieftain of the Arverni tribe.

Caesar’s military and political situation at the time was deteriorating badly. Caesar’s political enemies, known as the boni, threatened him in Rome, and this new uprising compromised his plans for Gaul.

Vercingetorix conducted one of the first known uses of a scorched earth policy, destroying crops to keep them from falling into the hands of the Romans. He also dopted a hit and run strategy. In addition, he raised an army many times larger than the Romans who opposed him — by some counts, as large as 500,000.

Caesar, distracted with events in Rome, was in the settled Roman province of Cisalpine Gaul when Vercingetorix opened his campaign, but quickly crossed the Alps with eight understrength legions to find the scorched earth policy beginning to bite. Although Vercingetorix had burned twenty settlements, he had spared one, the fortress town of Avaricum, thought to be impregnable. In a 27-day siege, plagued by poor supplies and surrounded by hostile Gauls, Caesar took the town — and the food.

Vercingetorix, in response, captured a food convoy bound for Caesar. Still determined to avoid a decisive battle until the odds favored him, he retreated his cavalry into the fortress town of Alesia.

Vercingetorix had every reason to believe that his situation was still advantageous. His forces outnumbered Caesar’s. He had the advantage of high ground. Most importantly, the defending forces inside Alesia were only a small part of the Gallic forces. Soon, Caesar would not only have to contend with the forces inside Alesia, but also the remainder of the army of united Gaul — a relief army of between 125,000 and 250,000. Caesar would shortly find himself trapped in a doughnut, with enemies both inside and outside.

Caesar’s response was to launch one of the most ambitious and astounding feats in the history of military engineering.

The Impossible Project



First, Caesar’s men built a circumvallation, an eleven-mile long fortification of earth piled thirteen feet high, enclosing the entire town. Behind the earthen rampart his soldiers dug two ditches, each about fifteen feet wide. If that wasn’t enough, Caesar’s men built 23 fortlets, one every 80 feet, along the entire route — and did it in only three weeks!

Of course, Caesar also had the Gallic relief forces to worry about, so now he had to do it all over again. The Roman forces built a contravallation, an external set of defenses similar to the circumvallation, but this one extending for thirteen miles!

This immense engineering feat took thirty days, slowed by the need for Caesar’s men to collect supplies to feed the army. But it was all done before the huge relief army arrived.

A reconstruction of Caesar's fortifications around Alesia


The Battle of Alesia

After skirmishing and small battles, the main attack began at midnight, with Vercingetorix’s men crossing the treacherous fortifications Caesar’s soldiers had built. Caesar’s legates Marc Antony and Gaius Trebonius (later one of Caesar’s assassins) were able to repulse the attacks from both sides.

Meanwhile, the leaders of the relief army scouted Caesar’s fortifications and found a weak spot, a Roman camp to the northwest that had not been included in the contravallation because of the hilly terrain. Two legions (around 8,000 soldiers) occupied the camp, and the Gauls sent an attacking force of nearly 60,000 against it, starting with diversionary attacks before the major assault began. Vercingetorix, seeing some of the preparations, launched an attack on the inner lines.

Vercingetorix Surrenders to Caesar
Caesar himself waded into the thick of the battle, and the Romans carried the day. The next day, Vercingetorix surrendered. His men were sold into slavery.

Managing the Impossible Project: Maximizing Resource Quality

The performance of the Roman legionary is legendary, and it’s not surprising that 30,000 Romans could defeat a force arguably ten times as large. But even a cursory reading of Roman military history will make it abundantly clear that not all Roman generals enjoyed equal success.

Of course, Caesar’s military and engineering genius had a lot to do with his success, but it’s the superior performance of his legions, even by already high Roman standards, that is the key to understanding Alesia. The staggering magnitude of the earth-moving alone is a testament to backbreaking, unromantic work. It’s one thing to convince soldiers to fight; it’s another thing to convince them to dig.

If there is a mismatch between what you want people to do and what they actually are doing, you can either modify the process or modify the people. Modifying the process may mean improving the tools and equipment, or it may involve changing methodologies. Modifying the people can involve motivation, or changing the rewards and punishments for performance.

When people are well trained, motivated, and led effectively, they can achieve results that would otherwise be impossible.

Tuesday, November 15, 2011

The Ol' Yeller Maneuver (Managing Impossible Projects, Part 6 of 6)

The following series is adapted from a keynote I delivered at the Washington, DC, chapter of the Project Management Institute back in August. Parts also come from my book Creative Project Management (with Ted Leemann), published by McGraw-Hill. 

If You Build It, Will They Come?

Earlier, we discussed the story of the infamous automated baggage handling system at Denver International Airport (DIA), which burned through $250 million before being abandoned as unworkable.

There’s nothing inherently impossible about the concept of an automated baggage handling system, though obviously the implementation is tougher than it appears. No, this is the kind of project in which impossibility is situational: a function of the constraints. While we’ve focused on the Triple Constraints because of their universal application in project management, individual projects have other constraints as well.

The airlines themselves, oddly, had little initial involvement in the airport planning. This gave them substantial leverage later in the process. “If you build it, they will come” often carries a hefty price tag. In order to keep its costs down, United Airlines needed the baggage transfer system to take no longer than 45 minutes to route luggage among its flights.

In 1992, the automated baggage handling system was shoehorned into existing construction in what amounted to a “Hail Mary” play. In terms of project scope, the engineering involved amounted to a great leap forward from third-generation to sixth-generation technology.

Performance, obviously, was the project driver, with budget unavoidably the weak constraint. Significant cost and schedule overruns were guaranteed, and to a large extent acceptable — as long as performance goals were achieved.

So far, we have a very challenging project, but there’s no reason for a project manager to propose killing it. It’s not operationally impossible, and the value of closing the gap justifies a very high level of effort.

The Second Frog

The BAE project team officially recognized these key risks:
  • Very large scale of the project. 
  • Enormous complexity. 
  • Newness of the technology. 
  • Large number of entities to be served by the system. 
  • The high degree of technical and project definition uncertainty. 
The most important risk, however, was not mentioned: the complex stakeholder environment. The initial project was simply to serve United. DIA management expanded the contract to cover all terminals. DIA rejected the BAE proposal to build a 50,000 square foot prototype. Scheduling issues with other construction activities caused huge conflict.

There’s the old joke about the two frogs who fell into pots of water. One pot had hot water, and the frog immediately jumped in. The other pot was warming slowly, so the other frog felt no urgency about escaping until it was too late.

BAE was the second frog.

Politically Impossible

Because the project was not impossible from an engineering perspective, the fact that it became operationally impossible because of the constraints of the stakeholder environment tended to escape notice until it’s too late.

On the other hand, political problems aren’t exactly unheard of. Project managers are supposed to perform a stakeholder analysis. This isn’t just about figuring out your customers — it’s about analyzing the political landscape.

The earlier we identify a risk or problem, the more options are available. If you accompany the sales team when bidding on a job, don’t confine yourself to a study of the technical issues. As project manager, you’re going to have to spend your days dealing with the people, and you can’t tell the players without a scorecard. If you detect political dangers, they need to be part of your risk analysis for the job. This need to affect pricing and schedule, not just for your sake as project manager, but for the sake of the entire job.

If you get into the job and find that these issues are getting out of control, you likely don’t have the power to get out of the problem by yourself. You need allies, and you need them to figure out the problem for themselves. Most project managers see reporting (no matter how necessary) as something that takes time away from doing the work. Reporting, however, is a strategic tool to lay the information groundwork with your stakeholder community to bring them toward the correct understanding of the real situation.

The Ol' Yeller Maneuver

The best way to kill a project is to help the key stakeholders and decision makers reach the conclusion on their own, rather than you telling them. Remember that “operationally impossible” means you can’t figure out an answer. Leave open the possibility that someone else might have an answer you’ve missed. Sometimes they do have an answer for you. And if they don’t, they’re more likely to agree with your assessment.

Sometimes canceling a project is peaceful, sometimes bloody. This one ended with mutual lawsuits. That’s a powerful argument for acting early when the project is likely to be operationally impossible.

So let’s wrap up. A project is operationally impossible if you can’t do it within the stated constraints. There might be too little time, insufficient or wrong resources, or unrealistic or wrong performance criteria.

Sometimes the constraints can be changed, be made more flexible, or in some cases ignored altogether. If the constraints can’t be changed, perhaps you can work around them or accomplish the project in spite of its barriers. 

If the project’s still impossible — well, earlier I mentioned the idea of an American Movie Classics film festival of great project management movies. Apollo 13 is one candidate…but another is Ol’ Yeller. Sometimes a project manager’s job is to kill his own dog.

If the dog won’t hunt, and can’t be killed, the last solution is self-preservation. While captains are supposed to go down with their ships, we project managers are better off living to fight another day. 

The Three Envelopes

There’s the old joke about the outgoing project manager who left three numbered envelopes in a drawer, and told his successor that those envelopes contained the answers to the next three crises the project would face.

Inside the first envelope was a note that read, “Blame your predecessor.” The new person often has flexibility denied to the person previously holding the bag. You may have better luck challenging project assumptions and constraints.

Inside the second envelope, the note read, “Reorganize the department,” because — let’s face it — shuffling deck chairs on the Titanic is a long, noble tradition.

And in the third envelope, the note read, “Prepare three envelopes.” If in the final analysis the project really is impossible, it’s time to get while the getting is still good.

And that’s how to manage an impossible project.

The End.

Tuesday, November 8, 2011

Getting Around the Constraints (Managing Impossible Projects, Part 5)

The following series is adapted from a keynote I delivered at the Washington, DC, chapter of the Project Management Institute back in August. Parts also come from my book Creative Project Management (with Ted Leemann), published by McGraw-Hill. (Art by Baker and Hill Graphic Design.)



Managing Constraints

Constraints, operationally, are what stand between you and the completion of a successful project. If you think a given project may be impossible, it’s a function of the constraints you perceive. If the constraints (defined as the borders of the perceived box) can be modified, or if parts of it are optical illusions, then you may have new options available. The game has changed.

How can we change the envelope defined by our constraints?  Logic suggests two possibilities. If the constraints are real and have flexibility, you can modify them. If the constraints are imaginary, or have elements in them that are not real, you can get around them.  Multiple strategies exist for attacking each area, but they basically boil down to two: change the constraints or get around them.

(There is no "try.")

Change the Constraints
Analysis. Why is it your preferred option best (or sometimes least worst) for the organization? Does your preferred option cause collateral damage elsewhere in the project’s environment?  How much of this is political? How do other people view this concern? You have to understand the complete picture to see all the options, and just as importantly, to see all the dangers. 
Negotiation. Some constraints are subject to negotiation. If you’re bidding on a contract, there’s a price at which you can’t afford the business. On the other hand, sometimes our organization makes the choice on our behalf. “We’ve already got the contract, this is the scope of work, and this is how much we can spend to get it done.” Probe the constraints to see which are negotiable and which are fixed by circumstances.  
Internally, negotiation is the process of making the business case. If you have force majeure to settle the argument, it’s not really negotiation. In negotiation, forcing is not an option. You can only win if you are able to help other people recognize and accept a victory of their own. 
Problem solving. Sometimes constraints are decided, other times they simply are. When an organization prepares a budget, they necessarily make decisions among desirable objectives. They could give you more (or less) money; they choose not to. But sometimes the money isn’t there. They would choose to give you more money; they can’t. You can argue with decisions; you can’t argue (though many try) with facts. That’s a problem. Some problems can be solved. In the Apollo 13 case we discussed earlier, they needed a particular resource (a filter cover), but there was nothing at hand to do the job. Then someone remembered the astronauts wore socks. 
Requirements management.  There is an unfortunate sense in which written requirements too easily turn into holy writ. The purpose of requirements is to define operationally and specifically what the customer wants and wishes to pay for.  There’s always a delicate balance between imposing the detail necessary for control and allowing the flexibility necessary for exceptional achievement. 
Watch out for requirements that have outlived their usefulness, or had even become unproductive to the mission. A small change in a requirement may be of little consequence to the project’s quality, and still spell the difference between success and failure.
Get Around the Constraints
Creativity.  Here is where positive brainstorming rejoins the flow. Systematic creativity – inspiration on time, on budget, and on spec – seems like a contradiction in terms, but professionals in many areas do it as a matter of course. The secret goes back to Thomas Edison’s famous ratio of one percent inspiration and 99% perspiration: creativity is something you can work at. Artists do rough sketches; writers do rough drafts; lightbulb inventors test filament after filament. It’s a process of discovery. As the old joke goes, Michelangelo created David by taking a big block of marble and chipping away all the pieces that didn’t look like David. 
Exploiting holes.  One of the tricks of structured creativity is understanding that some places are more likely to contain insights than others, and look there first. The flexibility of the weak constraint is one good source of insight. So is available slack or float on non-critical tasks. Weaknesses and cracks in the structure of constraints may be exploitable. 
Different approaches. Insanity, Ross Perot famously observed, is doing the same thing over and over again and keep expecting different results. Is there a way around your current obstacle if you switch approaches? 
Rethink assumptions.  Assumptions can err on the side of optimism or pessimism. Conduct a sensitivity analysis of your assumptions: if it turns out to be true or false, how much impact will it have on your project? Investigate the assumptions with the most potential.

But sometimes a project really needs to die, and the project manager is often the one dispatched to do the dirty deed. There’s a skill to this, as well.


Next Week: The Ol' Yeller Maneuver

Tuesday, November 1, 2011

Orange Ropes (Managing Impossible Projects, Part 4)

The following series is adapted from a keynote I delivered at the Washington, DC, chapter of the Project Management Institute back in August. Parts also come from my book Creative Project Management (with Ted Leemann), published by McGraw-Hill. 




Sometimes in organizations there is a form of relentless optimism, the corporate cheerleader equivalent of “failure is not an option.” I appreciate the motivational value of positive thinking, but there’s a huge brainstorming value that’s often overlooked in negative thinking. You can’t figure out which constraints may be illusions until you make a list of constraints in the first place.

When people perceive the job they have been given is impossible, or the conditions under which they must labor are unfair or insufficient, it’s usually not a good idea to push optimism down their throats — too often, it backfires and makes the situation worse. It’s no use telling people not to think of negative things, it’s like me telling you not to think about the color orange or about an elephant.

(Are you thinking about an orange elephant now?)

Orange Ropes 

Speaking of orange elephants, I don’t know how many of you have ever trained an elephant, but if you want to train an elephant you start with a baby elephant and an orange rope. The color is very important.

You tie the orange rope around the leg of the baby elephant, and fasten that to a stake in the ground. The baby elephant tries to get away, but he can’t break that orange rope.

Over the years, the baby elephant grows to full size, but he’s learned his lesson: you can’t break an orange rope. Now, you can take some flimsy, rotten rope, spray paint it orange, and the elephant will treat it as unbreakable. But if the elephant ever figures it out…he’s free.

Some constraints are fake, and others are real…but they change. Experience can be a wise teacher, or it can blind you to a new and different reality. That’s why I believe that negative brainstorming is a hugely overlooked tool for managing difficult or impossible projects.

Negative Brainstorming

A negative brainstorming process works just like a conventional brainstorming session. Participants offer potential ideas on a specific topic with no criticism or evaluation of ideas or suggestions allowed. The major difference in negative brainstorming is that the specific topic —and the focus of ideas — is negative.

In conventional brainstorming, the focus is on finding creative ways to solve the problem. In negative brainstorming, the focus is on finding all the obstacles, barriers, and events, including internal, external and self imposed, that could prevent completing the project as currently defined.

Here’s a list of good questions to get a negative brainstorming session started.

  • Why is this project impossible?
  • What are all the things we can’t possibly do?
  • What are all the things others can do that will prevent us from accomplishing this project?
  • What ideas can we think of that absolutely are not worth trying?
  • What’s the worst possible decision we could make right now?
  • What could we do to turn this project into a complete catastrophe?
  • Why are we doomed to fail?

In asking a negative question, I don’t mean to imply that the questions are necessarily accurate descriptors of reality. They don’t have to be. What the questions have to do is to correspond to the cognitive biases that keep us from finding a solution.

Doomed, But Hopeful

We may not in fact be “doomed to fail,” but a negative brainstorming exercise on “Why are we doomed to fail?” is a powerful way to bring the most serious risks and issues to the surface where our team can deal with them.

Negative questions like these can be utilized with all sorts of brainstorming processes, or techniques. Some approaches include having the participants respond in a round-robin style. Another approach is a simple free-for-all where participants offer ideas randomly. The leader can set a time limit or a target total number of ideas before concluding the process. The important thing is to concentrate on finding all the negative possibilities, rather than stop and try to solve the barriers as they are identified during the brainstorming phase of the process.

In negative brainstorming, it’s vitally important to encourage participants to offer even the most outrageous possibilities that could negatively impact the project. Our goal is to elevate concerns from the subconscious background into the conscious spotlight of project management, and we can only do that if we recognize what they are in the first place. If people feel criticized for stupid suggestions, the total number of suggestions will go down, including the not-stupid ones. That’s why, as in all brainstorming processes the initial phase is to gather ideas — not solve problems or criticize specific contributions.

After completing the negative brainstorming session, the evaluation process begins by taking each negative idea in turn and determining (1) if you can overcome the obstacle, (2) if so, how, and (3) if not, what then?

At least some (perhaps most) of the constraints, barriers, and issues you identify will turn out to be both real and solid. That’s completely normal. You are looking for the exceptions. In positive brainstorming, most ideas turn out to be of limited utility, but if you get one winner it can be a game changer.

In negative brainstorming, if most constraints turn out to be solid, but there are exceptions, the project can go from impossible to possible — occasionally even easy — in the blink of an eye.


Tuesday, October 25, 2011

The CHAOS Report (Managing Impossible Projects, Part 3)





Photo: Baggage system, Denver International Airport


The following series is adapted from a keynote I delivered at the Washington, DC, chapter of the Project Management Institute back in August. Parts also come from my book Creative Project Management (with Ted Leemann), published by McGraw-Hill. 



The annual Standish Group’s CHAOS Report, which tracks software project performance reported these abysmal numbers for 2009:

  • 32% on time, on budget, to spec
  • 44% finished late, over budget, or partially completed
  • 24% failed, cancelled, or abandoned

Why do so many projects fail, either in part or in whole?

Certainly, there are badly managed projects — even some headed by PMPs. But it’s hard to blame a 68% defect rate on poor practitioners alone.

Sometimes the problem is the definition of success. By the logic of project management, the Leaning Tower of Pisa was an abysmal failure: late, over budget, and…well, aren’t buildings supposed to be straight? The Standish Group would clearly label the tower as a failed project, yet if the tower didn’t lean, who today would bother to visit?

The third reason, of course, is that the project was problematic to begin with — arguably or actually impossible. This can happen for a variety of reasons. In the case of Apollo 13, the constraints of time, resources, and performance were established by the situation, not by the will or desire of the project managers or owners. They were what they were — whether they were achievable was a separate issue.

In the Battle of the Bulge, the German Ardennes offensive had already begun. We would be able to get troops to the front to relieve the pressure on beleaguered First Army units, or we wouldn’t. Neither project managers nor project owners necessarily control the constraints that drive their projects.

Sometimes we’re just making a guess when we establish a project’s constraints. The original budget for Denver International Airport was $1.2 billion, and the original deadline was October 1993. The final price came in at $4.8 billion and the actual opening date was February 1995. (The infamous automated baggage system, budgeted at $186 million, wasn’t cancelled until 2005, by which time its construction costs were increasing at a staggering $1 million a day!)

Denver wasn’t an example of engineering or technical failure — no, not even the baggage system. The failure was driven by political considerations, including a nonstop war among several key stakeholders. When customer conflict generates mutually exclusive requirements, “impossible” becomes just another word for nothing left to lose.

In any event, we project managers are hired hands. Sometimes we may do double duty as customers or sponsors of our own projects, but when we put on our PMP hats, we’re here not to decide, but to execute. We are bound by the decisions and choices of others, and sometimes we start the project on the precipice of failure. After all, how many of you get to decide your own timelines, set your own budgets, and establish your own performance requirement?

I didn’t think so.

Still, you don’t want to be too quick to pull the trigger. Let’s imagine that you have a project and your experience tells you it can’t be done. Isn’t delaying the inevitable bad news just going to make the problem worse?

That depends on what you do in between receiving the assignment and giving the answer. Even if your project’s impossible, or at least compromised, there’s still a customer problem needing to be solved. Telling people what they can do and what they can have tends to get a better reception than telling people what they can’t do and what they can’t have.

That’s why the first step in managing a potentially impossible project is analysis. When you analyze an apparently impossible or potentially impossible project, you may learn different things.


  1. You confirm that the project is in fact impossible, and can provide evidence to the customer. You and the customer can begin to figure out what alternatives may exist or how to deal with the consequences of an unsuccessful project.
  2. You confirm that the project as originally proposed is in fact impossible, but are able to find potential changes that will make the project possible, which you can present to the customer.
  3. You confirm that the project as stated is in fact impossible, but are able to offer alternatives and compromises that might satisfy at least some of the customer’s requirements and needs, or close part of the gap.
  4. You can’t confirm that the project is in fact impossible, but you can identify at least some of the risks and challenges you face, which you and the customer can then assess.
  5. You find a creative way around the barrier that made the project impossible, and achieve the original goal.

Even if your analysis leads to the first outcome (it’s just flat impossible), however, your situation is still improved by your ability to give a thoughtful reply with supporting evidence, and your attitude in making a good-faith attempt to solve the problem.

Partial successes (outcomes two, three, and four) are a marked improvement. Even if the project is impossible — or highly risky — as stated, the customer may be able to get a significant portion of what he or she wants. Plus, it’s well known that the first approximation of available constraints may not be the final word. There may be more to draw on. And again, people tend to react better to hearing what they can have, and less well to hearing what they can’t have.

We renovated our house last summer, and the project was on time, exceeded our expectations — and cost about twice as much as we’d planned. We still call it a rousing success, because we never really expected to meet the budget anyway. It was a hope, not a realistic assessment. The Standish Group would call it a failure, but we don’t — and the customer is always right.

The fifth outcome (solve the problem with creativity) is ideal, but often challenging and not always successful.  The best direction to find the creative answer is, paradoxically, to focus on the barriers in the first place.



Next Week: The Power of Negative Thinking!

Tuesday, October 18, 2011

Potentially Impossible (Managing Impossible Projects, Part 2)

The following series is adapted from a keynote I delivered at the Washington, DC, chapter of the Project Management Institute back in August. Parts also come from my book Creative Project Management (with Ted Leemann), published by McGraw-Hill. 


The Most Dangerous Word

At the outset of the project, you may not always know whether the project is possible or not. That’s why the process of managing an impossible — or potentially impossible — project begins at the outset, during the very first stages of project initiation.

Here’s one of Dobson’s Laws of Project Management: The most dangerous word in project management is a premature “yes.”

Premature certainty, whether it’s positive or negative, can backfire. Saying “yes” before you really know what you’ve said “yes” to can result in a world of trouble.

You can also get in a world of trouble by being too quick to say “no.” Even if your experience and wisdom tell you the project’s impossible on the face of it, saying so too quickly will produce a negative reaction. And, frankly, sometimes “no” is just not going to be an acceptable answer.

When you say, “Sorry, that’s impossible,” they think, “You didn’t even try!”

Failure, Alas, Is an Option 


Let’s set the Way-Bac machine for April 14, 1970, just about 56 hours into the flight of Apollo 13. With the spacecraft about 200,000 miles away from Earth, Mission Control asked the crew to turn on the hydrogen and oxygen tank stirring fans. About 93 seconds later there was a loud “bang.” Oxygen tank #2 had exploded.


If American Movie Classics ever ran a series of “Great Project Management Movies,” surely Ron Howard’s Apollo 13 would be a natural candidate. Faced with a potentially disastrous accident, project teams overcome one potentially fatal barrier after another to bring the crew safely back to earth, guided by mission director Gene Kranz’s mantra, “Failure is not an option.”

But of course failure is an option, and in the case of the Apollo 13 mission, the odds were heavily stacked against a happy outcome— and everybody (including Gene Kranz) had to be well aware of that fact. Within the overall project “get the astronauts home safely,” there were numerous subprojects, including:

  • Develop a power-up sequence that draws fewer than 20 amps
  • Calculate a burn rate to get the reentry angle within tolerance using the sight of the Earth in the capsule window as the sole reference point
  • Design a way to fit the square command module carbon dioxide scrubber filter into the round Lunar Excursion Module (LEM) filter socket.

That last subproject was vital, because the LEM’s carbon dioxide scrubbers were designed to take care of he needs of two people for a day and a half, not three people for three days. And nobody ever imagined that the command module scrubbers would need to be used in the LEM, so they weren’t designed to be compatible. They’re square, and the necessary holes are round. Meanwhile, the carbon dioxide levels are already past 8, and at 15 things become dangerous, and eventually deadly. As the engineers gather in a conference room, boxes of miscellaneous junk — basically everything that’s loose on board the spacecraft — are being dumped on tables.

Managing a Crisis Project

Let’s look at the project management problem.

It’s easy to build a carbon dioxide filter on Earth; there’s a standard specification, a deadline measured in weeks, if not months, and all the resources you need are easy to acquire. In a crisis situation, such as existed aboard Apollo 13, the project looks a little different.

At the beginning of the project, the engineers involved could not know whether the project would turn out to be ultimately impossible. Impossibility could exist in any of the three fundamental constraints.

  • Does the time available to accomplish the project equal or exceed the time necessary? 

In developing a replacement for the Apollo 13 mission’s overloaded carbon dioxide filter, engineers were constrained by the amount of time until the astronauts became too impaired to build what they designed. If the deadline turns out to be too short, then the project is impossible.

  • Are the resources needed to accomplish the project less than or equal to the resources available? 

The project was constrained by what was actually available on the spacecraft. If their resources are short by even one critical component, no matter how small — a 20¢ screw — the project is impossible.

  • Are the performance criteria achievable within the outer boundaries of the other constraints? 

If the improvised filter can’t be made to work long enough for the astronauts to reach Earth orbit when they can return to the command module, then the project is impossible.

As we all know, the Apollo 13 engineers did come up with a workable solution, but that was hardly guaranteed. Had the constraints been slightly different — less time, fewer resources, more challenging performance standards — the outcome would likely have been failure.

But that doesn't mean you shouldn't try.


Next Week: The CHAOS Report!

Tuesday, October 11, 2011

If I Had a Lever (Managing Impossible Projects, Part 1)

The following series is adapted from a keynote I delivered at the Washington, DC, chapter of the Project Management Institute back in August. Parts also come from my book Creative Project Management (with Ted Leemann), published by McGraw-Hill. 



If I Had a Lever...

When we say “nothing’s impossible,” we usually mean that given unlimited time, unlimited resources, and really flexible performance standards, we can do anything. “Give me a lever long enough and a platform to rest it on, and I will move the world,” said Archimedes, but he was obviously not a project manager. Our projects are constrained: the iron triangle of resources, time, and mandatory scope are only three of the dimensions that restrict our options.

There are many types of impossibility: legal impossibility, scientific impossibility, metaphysical impossibility, and logical impossibility, to name a few. Each has its own definition and its own specific context. Our question is more focused: what does “impossible” mean in the context of project management — and more importantly, in the context of your project?

We define a project as “operationally impossible” if it cannot be accomplished within the boundaries of its mandatory constraints. Of course, seemingly “impossible” projects succeed all the time, and there are a number of proven strategies that work — at least part of the time.


  • Sometimes a team discovers a brilliant critical insight, or is simply smart enough and good enough to achieve what lesser mortals cannot.
  • Sometimes the team gets it done by sheer Herculean effort, working harder and longer than anyone expects. The project succeeds, but sometimes the organization pays a long-term price.
  • Sometimes the team gets it done, but the outcome is compromised. Maybe the project cost more, or took longer, or did less. Sometimes we can point to the corpses of the projects we sacrificed in order to make the current project succeed
  • And sometimes the team fakes it, slaps a coat of paint on it, and hopes nobody notices that the wheels have fallen off. (Make sure your résumé is up to date first.)


There are, fortunately, some better answers, and in this and the next few blog posts we’ll journey through history to see what lessons we can pick up.

Patton and the Bulge

Let’s set the Way-Bac machine for December 19, 1944, where the Allied High Command is meeting in Verdun to plan its response to the German offensive Wacht am Rhein, popularly known as the Battle of the Bulge. 

Elements of the United States First Army, supposedly in a quiet sector of the front, are pinned down in Bastogne. Eisenhower asks the assembled generals how long it will be before Allied forces will be able to relieve the beleaguered Americans at Bastogne. British Field Marshal Bernard Montgomery says it will take weeks.

George Patton, commander of the United States Third Army, jumps in. . (Patton, by the way, sounded a lot less like George C. Scott than he did like Ross Perot.)

“I can attack with three divisions in 48 hours,” he says.

The response from the other generals was not polite.

Patton’s boss, General Omar Bradley, was not amused. “Ike wants a realistic estimate, George. You’re in the middle of a fight now. It’s over a hundred miles to Bastogne.”

They were, of course, right to be skeptical. Extricating three divisions from a tough fight and moving them 100 miles in 48 hours?  That’s not just difficult, that’s downright impossible. 

Let’s see why.

A division is an Army unit consisting of approximately 15,000 soldiers, along with everything they need to do their job. Imagine picking up a town of 45,000, along with all the services needed to keep them going, and moving 100 miles in 48 hours…and forget the interstates; there aren’t any. Just for starters, if you don't have a detailed movement plan, you'll end up with the world's biggest traffic jam. 

Armored vehicles are gas-guzzlers, people have to eat, and soldiers need ammunition. That means you'll have to pre-position gas, food and supplies along the route. 

A moving division is more vulnerable than a division on defense. That means you need fighting units to protect moving units, and they need more gas and food and ammunition.

A move of this nature requires a planning staff in the hundreds. In World War II, without cell phones, laptops, and GPS units, orders were typed on mimeograph stencils, duplicated, and hand-carried to unit commanders stretched out over an immense area. Today's technology is far superior, but so are the demands involved.

It takes weeks to pull off an operation like this. It really can’t be done in 48 hours. It’s an impossible project — flat out impossible.

And yet it was done.

But wait a minute. If it was done, then wasn’t it by definition possible?

Like with any good magic trick, the key often lies in challenging your assumptions. Eisenhower’s headquarters learned about the German Ardennes offensive late in the game, and that’s why Patton needed to move within 48 hours. But Patton, alone among senior Allied commanders, had anticipated the possibility, deployed his own intelligence resources, identified the threat, and bought himself the extra time he needed. He didn’t do it in 48 hours. He changed the constraints.

There’s a scene earlier in the movie in which he instructs his staff to begin planning the move northward. His staff had several weeks to prepare three different contingency plans. All Patton had to do when the meeting broke up was walk downstairs to his jeep, call his headquarters on the radio, say “Nickle,” and the forces were on their way. (His driver, Sergeant Mims, reportedly said, “I don’t know why they need all them other generals. You and me can run this whole war out of your jeep.”)

If a project can’t be done within its constraints, one obvious approach is to follow Patton’s example, and alter the constraints, but of course, that’s not always an option. Sometimes, the project is inherently likely to fail — but that doesn’t mean you don’t still have to manage it.

Next week — Failure IS An Option!

Monday, August 24, 2009

George Patton, Meet Penn and Teller

You may remember the famous scene from the movie. The Germans have launched Operation Wacht am Rhein, better known as the Battle of the Bulge. Elements of the United States First Army, supposedly in a quiet sector of the front, are pinned down in Bastogne. British Field Marshal Bernard Montgomery will need weeks before his troops will be able to relieve the beleaguered Americans.

Allied supreme commander General Dwight Eisenhower asks Patton, “How long will it take you to get Third Army moving north?”

“I can attack with two divisions in 48 hours,” Patton replies, to a round of snickering from the other generals present.

Patton’s boss, General Omar Bradley, is not amused. “Ike wants a realistic estimate, George. You’re in the middle of a fight now. It’s over a hundred miles to Bastogne.”

But in the next scene, troops are marching north.

The assembled generals were right to be skeptical. Extricating three divisions from a fight and moving them 100 miles in 48 hours? Let’s take a look at what that involves.

A division is an Army unit consisting of approximately 15,000 soldiers, along with everything they need to do their job. Imagine picking up a town of 45,000, with all the services needed to keep them going, and moving 100 miles in 48 hours. For starters, if you don't have a detailed movement plan, you'll end up with the world's biggest traffic jam. Armored vehicles are gas guzzlers, people have to eat, and soldiers need ammunition. That means you'll have to pre-position gas, food and supplies along the route. A moving division is more vulnerable than a division on defense. That means you need fighting units to protect moving units, and they need more gas and food and ammunition.

A move of this nature requires a planning staff in the hundreds. In World War II, without cell phones, laptops, and GPS units, orders were typed on mimeograph stencils, duplicated, and hand-carried to unit commanders stretched out over an immense area. Today's technology is far superior, but so are the demands involved.

It takes weeks to pull off an operation like this. It can’t possibly be done in 48 hours.

And yet it was.

Like any good magic trick, it’s interesting to learn just how the apparently impossible happened. In this case, Patton had seen the German offensive coming, knew he would need to move forces north, and had his staff hard at work preparing the necessary orders (including three different contingency plans) well in advance of the fateful meeting.

Patton was the only senior American commander to anticipate correctly the German assault. Strangely, he was helped by insufficient information. He was not cleared for ULTRA, the top-secret project that read the top secret Enigma cipher used by the Germans. But the Germans weren't using Enigma; for the most part units were close enough together to have in-person planning sessions. Even radio traffic was restricted.

Patton, remembering that the Germans had already come through the Ardennes twice, had his intelligence staff looking closely at the area, and saw evidence of the buildup.

The difference between possible and impossible can be just a matter of time. When we say “nothing is impossible,” we usually envision a universe of unlimited time, unlimited resources, and really flexible performance standards. But that’s not the real world. When we’re asked to do something, we have to do it within the boundaries of the triple constraints of time, cost, and performance. Magicians plan well in advance. Often, by the time you know a trick is about to start, it's already over. You're just waiting for the reveal.

When Patton left the meeting with Eisenhower, Bradley, Montgomery, and the others, he went down to his jeep, picked up the radio, contacted his headquarters, and gave them a code word to trigger one of his pre-existing plans. (Patton’s driver, Sergeant Mims, reportedly said, “I don’t know why they need all those other generals. You and me can run this whole war out of your jeep.”)

Contingency planning, careful observation, and acting ahead are vital parts of the management process. The best time to influence tomorrow is usually yesterday.